‘Marnie’: The Complexities of a ” Sex Mystery”

"One might call 'Marnie' a 'sex mystery', if one used such words." - Alfred Hitchcock 'Marnie' is by far the most extreme vision of frigidity Hitchcock ever explored. Adapted by Jay Presson Allen from Winston Graham's novel of the same name, it serves as an oddly seductive screen commentary about the origins of psychosis in … Continue reading ‘Marnie’: The Complexities of a ” Sex Mystery”

‘The Lady Vanishes’ – To Judge and to Fear

Conspiracy Thrills One life. Hitchcock tended toward the kind of funny that pokes fun at institutions and systems. In "The Lady Vanishes", the humor and drama are essentially about trusting one's self in unbelievable situations. To start, the jolly older woman -Ms.Froy- who ends up caught in a conspiracy plot on her way home to … Continue reading ‘The Lady Vanishes’ – To Judge and to Fear

A Purist Rom-Com: A Touch of Death in ‘The Trouble with Harry’

From death cometh life and the living can be ridiculous! Fascinating! Oh good, good grief! Alfred Hitchcock always liked his films to have a sense of humor about them, and "The Trouble with Harry" is the height of funny stuff. There's this man who happens to have died at the apex of everybody's favorite hiking … Continue reading A Purist Rom-Com: A Touch of Death in ‘The Trouble with Harry’

Psychopathy in Hitchcock Thrillers ‘Rope’ (1948)

Character Study: Rupert Cadell ('Rope', 1948) I recently read an article in which the author questioned whether a psychopath could be a good person. Scientists have studied psychopathic behaviors enough that they’ve come full-circle, considering that psychotic people should be viewed with empathy and even admiration. After all, they are focused, not driven by emotions, … Continue reading Psychopathy in Hitchcock Thrillers ‘Rope’ (1948)

Private Worlds: Hitchcock’s Penchant for Rule-Breakers (“Rear Window”, 1954)

"Rear Window" is a frustrating story to follow. With unbelievable characters and a seriously Mr. Magoo protagonist, I found it tough to watch. Of course that’s naive, because it isn’t about the character’s development- not how cunning they are or how quick their reflexes…there’s so little traditional ego present in the dialogue. This isn’t a … Continue reading Private Worlds: Hitchcock’s Penchant for Rule-Breakers (“Rear Window”, 1954)

Analysis of Hitchcock’s ‘Saboteur’

Hitchcock’s thriller 'Saboteur' exemplifies the director’s drive for subverting his audience’s sympathies. There is a daringly clarified critique of systematic injustice in the form of a single misjudged civilian taking on a class of evil that operates somewhere between the powers of government and industry, far above the heads of common workers: the saboteurs, those … Continue reading Analysis of Hitchcock’s ‘Saboteur’

The Beautiful Evil: Hitchcock’s ‘Shadow of a Doubt’

'Shadow of a Doubt' is a beautiful example of the study of Evil. We are constantly confronted with images and descriptions of violence, and in these accounts of atrocious acts we rarely get a chance to consider the criminal from any angle beyond criminality. Where evil meets innocence, and where it wins over good people, … Continue reading The Beautiful Evil: Hitchcock’s ‘Shadow of a Doubt’

Mind & Body Films of The 2013 Awards Season

The SAG Awards, which took place on Sunday, 1/27, are completely in the hands of union actors, and the people made some very interesting choices as to which performers and ensembles deserved their golden statue… This awards season is a tough one to call. The pros are debating the success of the musical powerhouse “Les … Continue reading Mind & Body Films of The 2013 Awards Season