‘Obvious Child’: A Continuation of Last Year’s Brilliant Feminist Rom-Com Magic

Back in 2014, I wrote that 'In a World' was the first truly feminist romantic comedy I'd ever seen. The fact that there was a female protagonist with sexual and career-oriented agency, who's main focus was not how her hair looked when her crush walked by, but that she liked him...and he liked her. There's … Continue reading ‘Obvious Child’: A Continuation of Last Year’s Brilliant Feminist Rom-Com Magic