There is one of me and you, and you: you are them. The quiet understanding is that. A meaningful gesture is a smile when thinking of you. A nod of recognition in passing between the you of yourself and in my world, mine. I love you, but there is one of me, and surviving means … Continue reading Entry 81915 – Failing Them
To be known without getting into trouble- A test of concealment, wickedly daunting for the vigorous soul. "You, you are beautiful and you are dishonest", An earthy voice swallows defaming words. Tension rises. She, the reason, who curtains off her passions, cries thick tears. Sheds a cloudy mess of sensation, takes a hot bath … Continue reading Entry 52015- A Mythical Creature, Wanted
In an awards season teeming with adorable, quirky romantic comedies, Desiree Akhavan's decidedly unromantic comedy is a nice departure from average depictions of relationship woes. In 'Appropriate Behavior' protagonist Shirin (played by writer/director Akhavan) struggles with finding her way in the world, stuck between her traditional Iranian family's expectations and her own desires after a … Continue reading ‘Appropriate Behavior’: The Importance of Unromantic Comedy
I often wonder why Jimmy Stewart, an actor known for having a wholesome nature in an out of character, would play increasingly misogynistic roles in Hitchcock's films over a span of a decade. I'm sure he had his pick of other scripts and Hitchcock wasn't the only brilliant director around (*read any other piece I've … Continue reading The Extreme Misogyny of ‘Vertigo’
I love history and I truly appreciate that people who run television networks think historical characters are worth putting on T.V., but why must it all be inaccurate? Can it not be spectacular and real and massively viewed, all at once? Why did a show like "Reign" make it past the first season? Sensationalism. Targeting … Continue reading The World of ‘Outlander’ vs. the Spectacle of ‘Reign’
In which I introduce ten beautiful and innovative stories about women who thrive against the odds set against them. These are stories that allow me a glimpse of a brighter image of women in the film world. My Top 10 Feminist Films of 2000-2010 I invite you to share your thoughts on the topic and … Continue reading Top 10 Feminist Films, 2000-2010
Go for Sisters How many dramatic or crime-centered movies have you seen in your lifetime that had not just one but two female protagonists of color who weren’t maimed or killed halfway through the film and who got what they desired in the final scenes? 'Go for Sisters' is the only movie I’ve seen that … Continue reading ‘Go for Sisters’ Review
brooklynmuseum: I was blown away by the success of Saturday’s Wikipedia edit-a-thon. We couldn’t have hoped for a more enthusiastic or diverse community of participants. Project Continua’s Director, Gina Luria Walker, said during her remarks that by editing articles about historical women, we were “making history by providing an alternative narrative of the past.” A … Continue reading Project Continua + The Sackler Center
No configuration of words can express how deeply happy Bridesmaids made me, but I am still going to blog about it. It was a bit “too long”, full of delicious little snap scenes where some woman was doing something that would never, ever have made it into a traditional “romantic comedy”. The first that comes … Continue reading I Loved ‘Bridesmaids’
Project Continua will be accessible and contributable by everyone. The core of Project Continua is the “female biography” archive, searchable content containing individual entries for each woman, including up-to-date scholarship on their life trajectories, their work, and the new knowledge they produced. Project Continua will also act as a virtual workspace in which students can … Continue reading Like Project Continua on Facebook
Thanks to Thelma Adams, the moderator of this years Amazing Women in Film panel at the Woodstock Film Festival, I got to participate in an enlightening and exciting discussion on Facebook about the state of women in film. Check it out by clicking the link above. I nearly burst with excitement at the chance to … Continue reading Discussion After the Amazing Women in Film Panel with Thelma Adams
The problem with cinematic gendering is that when it comes in the form of fantasized characters made for the purpose of entertainment, then the foundations are conventions, not innovations. Audiences can connect to the mother figure, but they are not supposed to admire the femme fatale: what happens if they do? Is it because … Continue reading An excerpt from “Imagining a Cinematic World without Rape”
I really recommend this link and the blog that hosted the piece - The Beheld. Also take a look at Rossini’s http://theillusionists.org/ to get a taste of what it means to be a feminist in the eerily elusive yet totally pervasive world of film and media. Filmmaker Elena Rossini writes about the state of women in … Continue reading Filmmaker Elena Rossini writes about the state of women in film
Kaitlin Sansoucie 