‘The Lady Vanishes’ – To Judge and to Fear

Conspiracy Thrills One life. Hitchcock tended toward the kind of funny that pokes fun at institutions and systems. In "The Lady Vanishes", the humor and drama are essentially about trusting one's self in unbelievable situations. To start, the jolly older woman -Ms.Froy- who ends up caught in a conspiracy plot on her way home to … Continue reading ‘The Lady Vanishes’ – To Judge and to Fear

Choreographing Feeling: ‘The Grand Budapest Hotel’

I finally got a chance to see Wes Anderson's latest, 'The Grand Budapest Hotel'. I must say that it made me feel like filmmaking was all arts captured and choreographed into colors and shapes before me. The perfection of the character's movements is ironic, the look and feel of their fortunes and misfortunes is mechanical, … Continue reading Choreographing Feeling: ‘The Grand Budapest Hotel’

You know what? 5 Reasons Why ‘Dear White People’ is a Must-See Dramedy

1. Woman with a Camera: In a film which seeks to expose a great number of social issues, giving multiple characters ways of telling and managing their own stories allowed the story to keep moving and these storytellers to keep developing without pausing too much for explanatory notes. When Sam White (Tessa Thompson) holds up … Continue reading You know what? 5 Reasons Why ‘Dear White People’ is a Must-See Dramedy

The World of ‘Outlander’ vs. the Spectacle of ‘Reign’

I love history and I truly appreciate that people who run television networks think historical characters are worth putting on T.V., but why must it all be inaccurate? Can it not be spectacular and real and massively viewed, all at once? Why did a show like "Reign" make it past the first season? Sensationalism. Targeting … Continue reading The World of ‘Outlander’ vs. the Spectacle of ‘Reign’

Private Worlds: Hitchcock’s Penchant for Rule-Breakers (“Rear Window”, 1954)

"Rear Window" is a frustrating story to follow. With unbelievable characters and a seriously Mr. Magoo protagonist, I found it tough to watch. Of course that’s naive, because it isn’t about the character’s development- not how cunning they are or how quick their reflexes…there’s so little traditional ego present in the dialogue. This isn’t a … Continue reading Private Worlds: Hitchcock’s Penchant for Rule-Breakers (“Rear Window”, 1954)

A Look at Police Violence & Race in Ryan Coogler’s ‘Fruitvale Station’

Oscar Grant was shot by a policeman at Fruitvale Station in Oakland just after midnight on January 1st, 2009. He was unarmed and had not been charged with any form of misconduct. Grant was shot in the back by an officer who later had his charges reduced because he explained that he mistook his gun … Continue reading A Look at Police Violence & Race in Ryan Coogler’s ‘Fruitvale Station’